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2010-02-27

7:30PM

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For more info please visit:
www.robertglasper.com

Robert Glasper Trio

Featuring: Robert Glasper - piano
Chris Dave - drums
Vicente Archer -bass

"...Robert Glasper is already impressive - a gifted jazz musician with a brilliant, energetic technique and a fresh, mesmerizing sense of melody and composition."
- Baltimore Sun

One artist, two distinct but interwoven concepts: this is the captivating logic behind Double-Booked, pianist Robert Glasper’s third album for Blue Note, following up Canvas (2005) and In My Element (2007). An artist who “unfailingly gets the feeling right” (New York Magazine), Glasper has made waves throughout the music world as leader of both the acoustic Robert Glasper Trio and the electric, hip-hop-oriented Robert Glasper Experiment. With Double-Booked the 32-year-old Houston native puts his enviable versatility front and center, emphasizing these different hemispheres of his musical brain at the same time.

Career-wise, this creates a constant balancing act, and on occasion literally being double-booked, appearing with the Trio and the Experiment on the same night. Such is the storyline that emerges on Double-Booked, with conflicting voicemail messages from Terence Blanchard and Roots drummer Ahmir ?uestlove Thompson, each pulling for a different Glasper band.

“Most people, if they have different bands, they do separate albums,” says Glasper. “But I felt I’d be making more of a statement if I put it all on one joint.” The result, in essence, is a snapshot of Glasper’s life. “This is what I’m dealing with,” he continues. “It’s not like I play jazz but I also play hip-hop now and then. I’m in it, for real, both sides of the spectrum. That’s my life. A lot of people go in stages—they might focus on trio for a long time, then they change or whatever. My thing is both, all the time.”

Hailed by listeners and critics, Glasper has also garnered the respect of the toughest audience of all: musicians from across the jazz spectrum. In a May 2008 Blindfold Test for Down Beat magazine, a fellow pianist instantly identified Glasper and praised him as “a fantastic musician,” pinpointing characteristics of his unique style: “a harmonic maze, but also an insistent rhythm, certain turns and filigrees and ornaments, some of them sort of gospelish.” With Double-Booked, Glasper further develops all these elements and pulls them together in a new synthesis, continuing his ascent to the top ranks of modern jazz artistry.