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2013-05-03

7:30PM

n/a

"Big band music like you've never heard...thoroughly immersed in
modern sounds and sensibilities."
- Andy Whitman, Paste

Darcy James Argue's Secret Society CD Release show for Brooklyn Babylon

Featuring: WINDS
Erica von Kleist
Sharel Cassity
Jason Rigby
John Ellis
Josh Sinton

TRUMPETS
Mat Jodrell
Tom Goehring
Matt Holman
Nadje Noordhuis
Ingrid Jensen

TROMBONES
Mike Fahie
Shannon Barnett
James Hirschfeld
Jennifer Wharton

RHYTHM
Sebastian Noelle, Guitar
Adam Birnbaum, Piano
Matt Clohesy, Bass
Jon Wikan, Drums

COMPOSER-CONDUCTOR-RINGLEADER
Darcy James Argue

Brooklyn-based composer-bandleader Darcy James Argue and his innovative 18-piece bigbandSecret Society will release their highly anticipated sophomore album, Brooklyn Babylon, April 30th on New Amsterdam Records. The follow-up to their critically acclaimed and Grammy-nominated debut, Infernal Machines (2009), Brooklyn Babylon shows Argue “expanding his sonic palette as never before” (Tad Hendrickson, Wall Street Journal).

Weaving together progressive jazz, early-American popular styles, Balkan folk musics, and the sounds of Brooklyn's diverse contemporary music scene — from the dance-punk of LCD Soundsystem and experimental indie rock of Dirty Projectors to Missy Mazzoli’s blend of post-rock and quirky minimalism — Argue creates a vividly evocative musical narrative that is at once timeless and unlike anything heard before. Argue’s Secret Society is one of the most admired ensembles in contemporary jazz, having toured in Europe, Brazil, and North America and been twice featured at the Newport Jazz Festival. Its members include in-demand instrumentalists such as John Ellis, Ingrid Jensen, Ryan Keberle, and Sam Sadigursky.

Brooklyn Babylon was conceived in collaboration with Croatian-born visual artist Danijel Zezelj, whose narrative inspired Argue’s mash-up of musical styles. Zezelj’s artwork places the action in a larger-than-life, mythic Brooklyn, where past, present, and future coexist. Plans are afoot to construct an immense tower — the tallest in the world — right in the heart of the city. Lev Bezdomni, a master carpenter, finds himself torn between his personal ambition and his allegiance to the community when he is commissioned to build the carousel that will crown it.

Premiered to wide acclaim at the Brooklyn Academy of Music’s Next Wave Festival in 2011, Brooklyn Babylon is a long-form, structurally-integrated work combining Zezelj’s animation and live painting with Argue's music. But like great stage works, such as Stravinksy’s Petrushka or Debussy’s Jeux, the composition works powerfully on its own.

The 53-minute work shows Argue taking a novelistic approach to long-form composition: a prologue, eight chapters separated by brief interludes, and an epilogue. The album opens with the actual sounds of Brooklyn — a sonic collage of recordings of the borough captured on Argue’s portable digital recorder. The ensemble gradually comes into focus and introduces the Prologue, from which every subsequent musical theme in Brooklyn Babylon derives. Argue reconfigures these themes using a broad array of techniques, inflected by contemporary indie rock, classical music, and jazz, particularly from the often maligned 1970s: the earthy avant-garde of Dewey Redman and Lester Bowie; the intricate large-ensemble sounds of Thad Jones and Don Ellis; and the sophisticated populism of Donald Byrd and Herbie Hancock’s Headhunters. Waltzes, marches and — naturally — fairground carousels also fold into the mix.

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